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OUR FILMS MISSING LINK VIDEOS GALLERY ACCLAIM CAST & CREW KUBO VIDEOS GALLERY ACCLAIM CAST & CREW VIDEOS GALLERY ACCLAIM CAST & CREW PARANORMAN VIDEOS GALLERY ACCLAIM CAST & CREW CORALINE VIDEOS GALLERY ACCLAIM CAST & CREW WHO WE ARE Inside LAIKA VIDEOS NEWS EXHIBITIONS AWARDS & REVIEWS CAREERS Careers FAQs WATCH NOW SHOP CART Terms & Conditions Privacy Policy Site Map Contact Us Terms & Conditions Privacy Policy Site Map Contact Us Your cart × Close Total Shipping and discount codes are added at checkout. The Boxtrolls The Boxtrolls Orphaned at infancy, Eggs (Isaac Hempstead-Wright) was raised by Boxtrolls, underground dwellers who scavenge the streets of Cheesebridge by night. A surprise encounter with a human girl (Elle Fanning) leads to unexpected discoveries about his mysterious past and his imprisoned real father. Orphaned at infancy, Eggs (Isaac Hempstead-Wright) was raised by Boxtrolls, underground dwellers who scavenge the streets of Cheesebridge by night. A surprise encounter with a human girl (Elle Fanning) leads to unexpected discoveries about his mysterious past and his imprisoned real father. Trivia Silicone, which was used in puppet head and body fabrications, starts as a liquid and turns solid through a chemical reaction. Everyday household material used to cast and seam the silicone puppets included cellophane, Vaseline, pantyhose, felt, and face powder. The "found" buttons on Eggs's Blue costume consisted of a coat check disc, poker chip, old typewriter key, rusty nut, two clock cogs, an old bead, and a button. It took about 3 hours to print a single Eggs face on a 3D color printer, and about 3 more hours to process and prepare it for shooting on stages. A principle character in The Boxtrolls could have as many as 8,000 3D-printed replacement faces. A range of individual brow and mouth pieces allowed a character to have approximately 1.5 million possible facial expressions. The VFX (Visual Effects) department created a unique population of CG characters to supplement the main puppets, including 81 CG Boxtrolls and 96 CG humans. It took approximately 3 months to create each CG character, from design to shot production. A single shot that was 56 seconds long took 4 months for a single animator to shoot. Including blocking and rehearsal time, this animator worked on the same shot for over 5 months. Construction of the three dozen unique sets required 18 carpenters, 18 model builders, 6 riggers, 12 scenic painters, 11 greens artists, and 10 sets dressers, who worked together over a period of roughly 18 months. In order to fill a 70-foot movie theater screen, Eggs's face had to be magnified 560 times. Great care was taken to make sure there were no inconsistencies or blemishes in the finished faces that would be only too obvious at that magnification. Over 8,500 stage-quality replacement faces were printed for The Boxtrolls , roughly half of which were for Eggs, the main character. His largest kit of faces consisted of 311 unique mouth parts . The hair on the puppets' wigs was made completely out of sustainable, all-natural hemp, which was then combed, cut, bleached, dyed, and glued into over 144 different heads. More than 120 pounds (or 4,800 feet) of hemp was used—enough to cross 13 football fields. News The Boxtrolls Filmmakers Describe Their Process The dance sequence — less than 2 minutes of the film — took Laika 18 months to animate. Read more The Boxtrolls Movie Review: LAIKA Follows Up Coraline With New Pic In The Boxtrolls , the monsters are the good guys. Read More The Boxtrolls opens up a quirky world of fun Adults are monsters and cute underground beasts are the good guys in the animated The Boxtrolls. Read More Meet The Boxtrolls: Who's who underneath Cheesebridge They're cool, cuddly and easy to recognize because their names are right on their wearable boxes. Read More The Boxtrolls’ Set Visit: LAIKA Embraces Victorian Steampunk With The Boxtrolls , LAIKA tackles its first period piece as well as its first creature-oriented tale about an orphan boy raised underground by cave-dwelling trash collectors. Read More How stop-motion and 3D printing brought Boxtrolls to life By combining handmade artistry with new technologies like 3D printing, the studio behind Coraline and ParaNorman has revitalised the 100-year-old genre. Read More Unpacking The Magic Of The Boxtrolls Combining stop-motion, hand-drawn animations, computer graphics and stereoscopic 3D, the new film from LAIKA does things a little differently. Read More Work With Us Work With Us LAIKA on LinkedIn LAIKA on LinkedIn Shop LAIKA Shop LAIKA...